
That opening track creates a powerful scene; Cheri MacNeil’s gentle voice describes being awoken by loneliness, which leads to her looking out a window at the night sky and the falling snow. She goes on to sing “this is the coming of the Lord,” but this is no praising hymn, she’s thinking about how “He’s not got to us yet”. It’s worth noting that ‘Idealistic Animals’ was written following MacNeil’s loss of faith after around twenty years of devotion to religion, saying she “chose to believe that I was an important part of a saga with a happy ending. Now I am aware that there are no tidy conclusions”. Once you’re aware of this, you begin to notice that the clear structure of the track listing and the balanced nature of the songs are still permeated by a sense of isolation and uncertainty – and, at times, fear. The soothing plucked guitar that opens ‘MOLE (Mole)’ soon drops back to the rise of the drums and the image of a lost mole making friends by colliding in dim tunnels, chosen by God, is a dark one....
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