Moshi Moshi - 12th September ‘11
I’ve always been a fan of Slow Club, their first album was enjoyable,
but really, not anything hugely special. The reason I think, I’ve still
loved them, comes from both members being hugely talented and
working together so well - which makes any live performances, recorded,
session or otherwise, really enjoyable and interesting…but they’d
never really managed to translate this onto any studio recordings I’d
heard. They’re obviously something unique when things are stripped
back, but in a studio environment it’s never come across immediately.
All of this meant I was hugely anticipating the release of their
second album, particularly after hearing rumours of a change of sound
and approach.
‘Paradise’ opens with the first single, ‘Two
Cousins’. It’s a catchy, fun song that makes you feel like dancing and
in regard to that is a move away from their original sound. It’s certainly
angrier - ending with a rush of fuzz that blends nicely into the
opening drums of ‘If We’re Still Alive’, on which Rebecca cries out,
heartbreakingly, that, “it’s okay, you’re leaving, and we never even
talked about, even thought about it, ever before”. As on their first album ‘Yeah So’, the
lyrics can seem a little at odds with the music, often darker than the
overall sound might suggest, but it works well here. The harmonics of
Charles' and Rebecca’s voices have always been a close blend and at
times they use this to great effect, but they also take the chance to
show off individually. Lyrically, they’ve made great leaps forward too,
clever lines like “It’s hard to be in this together, well we both know
that it’s hard apart, and it’s a storm I am willing to weather, but
it’s a storm that I…I recognize” show a maturity clearly evident
throughout this album. Lyrically, things still sometimes seem a little
nonsensical, but there’s some really tender moments of introspection
too.
Things get rhythmic again on ‘Beginners’, one of
the standout best tracks on ‘Paradise’, where the raw talent they give
live feels more evident. It’s tight, the vocals are perhaps a little
buried, but it still remains energetic and passionate, with some more smart phrases; “you know you haven’t got all the answers, if you did you
would be screaming them out”. The final ‘secret’ track, ‘Paradise’, is a
reworking of an old song. The added guitar fuzz and clattering drums
aren’t actually necessary to make this a great listen but it fits well
on the closing track. The idea of wanting to “live in paradise” is quite a
thematic one, their lyrics often noting the intricacies and
difficulties of relationships, especially those that are breaking down. On first listen ‘Paradise’ is a pretty
good album. After a few more listens, it gets addictive and soon you’re
listening to songs that are a world away from ‘Yeah So, an album that has led to them (much to their disgust) being
labelled as ‘twee’. Sure to remain circling in your head, ‘Paradise’
shows a band that’s grown into their talents, a superb listen.
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